Applying cinematic tools and techniques to produce engaging, authentic stories that captivate audiences.
Fourth Line is a Richmond, Virginia based production company specializing in branded documentary and corporate storytelling. As lovers, students and champions of film, we know the inherent power of a good story exceptionally told. That’s why we apply cinematic tools and techniques to produce engaging, authentic stories that captivate audiences. We strive to create films that don’t just entertain, but incite a response.
At Fourth Line, we go deep in understanding who you are and the message you need to communicate. We work closely with you to uncover your narrative and explore bold ideas to push past the expected and help your brand come to life.
Our team has worked with a range of clients, from small start-ups to large multi-national firms.
We believe behind every great brand are great stories made possible by great people. Your story is waiting to be told. We’ll help you tell it.
“I appreciate the creativity, professionalism and integrity that Fourth Line brings to each project. They are top-flight cinematographers, sound engineers and film editors to produce a high-quality product.”Dan Roloff, H.E.Butt Family Foundation
“Their ability to find the energy, emotion, and insight in every shot, sequence, and finished piece is extraordinary. They work with uncommon intelligence, humility, and attention to everyone involved in the process.”Andy Crouch, CT
“They become an active collaborator who helps us discover what it is we might be after. Seen in this light, the resulting film serves as an artifact of a joint creative process. Of course, they ensure that it’s an artifact of the highest quality that begs to be watched again and again.”Gate Davis, Laity Lodge
“Fourth Line grasped our vision immediately, and then went beyond delivering what we asked for, elevating the original concept with imagery and sound.”Susan Higgins, WHA
When Heartwood launched their new financial services firm, it was easy for them to tell us what they didn’t want. We just looked at the countless other financial services firms who used shoddy video to talk your ear off. Heartwood wanted something different, something fresh. So we found a location that fit their message, made it look beautiful, and sat down for a day of interviews to get at the heart of their new endeavor. The end result was something that didn’t just look different, it felt different as the founders of Heartwood took the viewer into the story of their new firm.
You spend hours, days, weeks, even years developing new initiatives to help your company or organization grow. It’s hard work so when you launch, you want to make sure you do it right. We collaborated with Charles Ryan Associates to tell Wellpoint’s story of an innovative way to do health insurance. The look and feel of the film had to mirror the excellence of what Wellpoint was rolling out. So we travelled around New Hampshire collecting the testimonies of doctors, insurers and health care providers to tell the story of Enhanced Personal Health Care.
It’s standard practice for videographers; show up at an event, film some shots of people waving at the camera, find some pumping music, put it all in a blender and deliver it to the client. But we don’t think of ourselves as videographers so when Red Bull asked us to film the premiere of their Berm Burners bike race, we rolled up our sleeves, dug into the event, and found a thread of a story that ran through the event. Sure, it took more time and work but the product is so much better.
We collaborated with Laity Lodge, a conference and retreat center in the Texas Hill Country. to develop an online performance series that reflected the unique character of the organization. So we hiked and climbed all throughout the remote Box Canyon (even lugging in a tap dance floor and a set of tuned wine glasses) to film these musicians in a collaborative and spontaneous environment. The end result was something beautiful to the eyes and the ears and it helped introduce Laity Lodge to a new, younger audience.
We love film, we love stories and we love to push ourselves. That’s why we’ve got what we like to think of as our “Skunkworks” division, Fourth Line Films. With Fourth Line Films projects we can experiment with new forms and techniques. One of those recent experiments is the Common•wealth, a series of short films about what people in our hometown make of the natural world.
When Julianne Moore began singing in Paul Thomas Anderson’s Magnolia, Nathan Clarke began to viscerally understand the power of cinema. He loves Anderson movies, old Japanese films and (shamefully) bloated action films where things blow up. He lives with his family in Richmond, Virginia. and is the director of the award winning feature documentary, Wrestling for Jesus. He specializes in short form documentaries and branded storytelling. He is a graduate of the University of Mary Washington (BA, History, 1997).
John Harrison is a cinematographer based in Seattle. In 2002 he saw James Longley's documentary GAZA STRIP and was moved by its remarkable combination of beautiful images and deeply human moments. Since then, his work has been strongly influenced by other great vérité filmmakers, especially the Maysles Brothers, Frederick Wiseman, and Haskell Wexler's work in MEDIUM COOL. The films he has worked on have screened in the world’s most prestigious film festivals and won numerous awards, including an Oscar Nomination for the film KAVI (Best Live-Action Short Film Nominee, 2010) and the Student Academy Award for VIOLA (2008). He is a graduate of the University of Southern California’s film production program (MFA, 2008), the University of Washington’s department of Spanish (BA, 2003), and is (still) proud to say he made the All-League Honorable Mention Team for soccer as a senior in high school.
Chris Payne lives with his wife and dog in Richmond, VA. He is a web developer, audio engineer, and networker. In addition to countless websites, Chris helped found and run the Listening Room, a Richmond institution. Chris graduated from James Madison University’s School of Media Arts and Design (BA, 2002)